![]() The tank is actually a 2336 inversion tank, with a (uneven) band epoxy-welded around it to rest on the processor’s bearings, a magnet epoxy-welded on top of the tank capacity writing, and a new label stuck on with rotary capacities inscribed on it. The 4106 tank is the standard tank I’ve been using since I got my Jobo CPA. The other major oddity is the 4106/4107 tanks. Needless to say, they are uncommon today. It is (along with the 2400) in fact a daylight tank, designed to be loaded by someone without access to a darkroom, dark tent, changing bag, or wardrobe with a duvet over their head. The 4324 doesn’t follow the increasing size of the previous three models. Additionally, the 5×4 reels can take 6 sheets.įour tanks are oddities here. This allows 2×126 films for each 135 reel, 2×110 films for each 16mm reel, 2×127 or 2×120 films on each of those reels. Note on reels: “Duoset” reels have a red plastic pin, and allow two films to be loaded onto a single reel. Most reels and inversion tanks are given a “2000” designation, while tanks built or converted for rotary use are given a “4000” designation. They use a different design of magnet, a different diameter and different reels. The System 2000 tanks are not intercompatible with the 2500 series in any way. Both tank types were usable in all processors (subject to the volume limits of the CPE’s), but parts were not interchangeable. This gives a theoretically more even development for film, and allows processing of sheet film. ![]() Like the current 2500/1500, the 2000 was a larger diameter tank. In the early days of Jobo, these were the System 2000 (or “Professional Series”) tanks, and the System 1000 (or “Amateur”) tanks. The Good Old DaysĪlways two there are, a master and an apprentice. This means that 1000, 2000 and other tanks fitted with inversion lids may not be used with the Autolab. These are the 1500, 25 series tanks with cog lid (plus 2800 series paper drums, for those using it for RA4 or very large sheet film). Designed for the ATL series Autolab processors, they will only work in an Autolab, or a CPA2/CPP2/CPP3 with lift.įinally, the Autolab processors are only compatible with those tanks that support the lift accessory. The System 3000 (also called ‘expert’) tanks are used for processing paper and sheet film in large sizes with exceptional consistency. In practice, this is only a significant issue for sheet film photographers, as this generally limits CPE users to the current (and expensive) 2509/2509n 5×4 reels in a 2520 or 2521 tank. The CPE series are compatible with all tanks from the 1000, 1500, 2000, 2500 ranges that require 600ml or less of chemistry. This means that they are unable to handle larger tanks (such as the 4323) because the high drag from the chemicals would strain the motor. The CPE, CPE2 and CPE3 are limited to a 600ml total chemistry because of the weaker motor in these processors. Non-expert tanks with cog lids can generally be used without a lift on any compatible processor, as long as they have a magnet on, and you don’t turn them upside-down. The CPA and CPP do not support the Lift accessory, and as such are incompatible with the Expert tanks. In theory, the same compatibility should be true of the 4100 processor that preceded the CPA, though having only ever heard of one once, I can’t say for certain. With the exception of the System 3000 – all tanks will work on a CPA, CPP, CPA2, CPP2 or CPP3. It should be noted that not all tanks can be used on all Jobo systems. So lets have a look at the complete collection. Following a slight accident involving the “buy it now” button on eBay, combined with doing some research for a friend, my collection (and understanding) has expanded significantly. The 4106 is a rather more versatile tank that accepts 5×135, 3×120 or 2×5-4 sheet film reels. The 4322 is a small tank, designed for one 120 reel (2×120 or 1×220 rolls) or two 135 reels (that each take one roll). My CPA came with two film-friendly tanks: a 4106 and a 4322. For one, I remembered that I have a blog I never write in – and for another, my Jobo kit has been expanded again. ![]() Ah, that sweet time of the year, when it’s too dark to do anything outside and I return to my lab to enjoy the sweet bliss of carcinogenic chemistry fumes and eyestrain.īut something is a little different this year.
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IntroductionShekhar Suman supports fans’ demand for Madame Tussauds VIPStand – web sports search engine, which helps you find quality sports streams over online. Its music video also gained significant TV rotation. It met with significant radio airplay and charted highly on the Mainstream Rock Tracks and Modern Rock Tracks charts. The album's first single "The Red" was released far in advance in July 2002. He added "Chevelle managed to retain its credibility yet still put out 11 tracks that, while still catchy, offer uniqueness not often heard in more commercial fare, no mean feat." MusicOMH's Tom Day described the band's sound as comparable to the likes of Helmet, Tool, and Deftones and summed up by stating, "there are no qualms with the high calibre, heavy rock that Chevelle have served up here." Commercial performance Brian O'Neill of Allmusic noted how the band demonstrates an " indie rock mindset" in spite of the album's slick production. Reviews for Wonder What's Next were generally positive. Starting in November, the band performed radio gigs until the end of the year, when they took a several-month break from touring to begin writing their next album.Ĭritical reception Professional ratings Review scores Chevelle later appeared on the tour compilation album Music as a Weapon II, featuring the songs "The Red" and "Forfeit." The band appeared on the Late Show with David Letterman to perform "Send the Pain Below" on May 20.įrom June through August, Chevelle performed on the main stage of Ozzfest, where they recorded and later released the live album Live from the Road and the live DVD Live from the Norva. In the spring, they played on Music as a Weapon II with fellow Chicago-based headliners Disturbed. The band toured Europe with Audioslave in early 2003 before returning to the US. Chevelle also performed "The Red" on The Late Late Show with Craig Kilborn on November 8. For the remainder of the year, Chevelle continued touring the US with Stone Sour and Sinch. They then joined Ozzfest from July through September. Leading up to the album's release, Chevelle toured the United States with Local H and Burning Brides from March through May 2002. A final single was released in September 2003 with " Closure." The moody track landed spots in the top 20 of both aforementioned charts and had a video featuring concert footage from live version of the song. It, too, had an accompanying video revolving around a snowboarder. ![]() " Send the Pain Below" provided an even more successful follow-up single by reaching No. It had an accompanying music video depicting an anger management seminar and gained heavy rotation on MTV2. " The Red" served as the album's lead single. The same method would be used on the final track of their follow-up album in 2004. However, the track "One Lonely Visitor" breaks from this with its bare-bones approach a demo was recorded in a home studio, but after rerecording it with Garth in Vancouver, Loeffler still favored the original, less-produced version for its more natural feel and convinced the label to use it. The band was at first uneasy with this approach but came to appreciate the influence it had on the overall sound. Ben Kaplan, the Pro Tools editor, also took a liberal approach to adding textures underneath much of the music. The band also spent much more time adjusting tones and preparing before recording, as opposed to the less refined studio process of working with Steve Albini. While Chevelle's debut album was recorded in standard D tuning, the band switched to drop B, with some songs written in standard D♭ tuning. Wonder What's Next would feature a heavier, more textured sound than its predecessor, which, according to frontman Pete Loeffler, was "more indie" and didn't effectively capture the band's intensity. ![]() The band spent nine weeks at the spacious studio. With a tragic event having just taken place in the band's home country, they were met with an unsettling start to the recording process. Recording was scheduled at The Warehouse Studio in Vancouver to begin the day following the September 11 attacks. After debating between GGGarth and Ben Gross, they enlisted Garth to produce their sophomore album. The group received three offers, ultimately choosing Epic. Having sold over two million copies in the United States alone, Wonder What's Next remains the band's most successful album.Īfter experiencing label troubles, Chevelle's management set up a showcase in New York. It proved to be Chevelle's breakthrough album, landing them high-profile tour slots including the main stage of Ozzfest 2003. Spawning the singles " The Red", " Send the Pain Below", and " Closure". Wonder What's Next is the second studio album by American rock band Chevelle, released on Octoby Epic Records. Password or credential: The generated password in the Dynamic DNS recordĪfter you create the record and configure your client software, test the record.Username or credential: The generated username in the Dynamic DNS record.Provider or DNS or Service: The name of your DNS Provider.Most routers can detect IP changes and communicate them with the name servers through their built-in software.Ĭonfigure your dynamic DNS client with the following: There are several popular dynamic DNS clients in use, like DDclient and INADYN. Set up a client program on your gateway, host, or server Next to “Dynamic DNS,” click the triangle.To configure your gateway or client software so that it contacts the Google name servers: Use the username and password created for the record.To view the username and password created for a record: Click View Credentials.To view the record values: Next to the record, click the triangle.The following are some other options to manage your Dynamic DNS: To assign a Dynamic IP, enter the name of the subdomain or root domain.Click Manage dynamic DNS Create new record.If “Custom name servers (Active)” is selected, you already have custom name servers and can't use Google Domains’ Dynamic DNS service.Select Default name servers Google Domains (Active).On your computer, sign in to Google Domains.Communicates the new address to the Google name servers.Uses the generated username and password.Generate a username and password that your host or server can use to communicate the new IP address to the Google name servers.Īfter you set up Dynamic DNS, you must set up a client program on your host, server, or gateway that does the following:.Create an A or AAAA record for your domain or subdomain that makes the Google name servers expect a dynamic IP.If you set up Dynamic DNS with Google Domains, you can: To use Dynamic DNS, you must use the default name servers of Google Domains. Important: Dynamic DNS works with IPv4 and IPv6 addresses, but not at the same time.ĭynamic DNS allows you to direct your domain or a subdomain to a resource that's behind a gateway and has a dynamically assigned IP address. To complete the DNSSEC deactivation, Google Domains might unsign your DNS zone. After that change updates across the internet, your domain is no longer DNSSEC protected. When you turn off DNSSEC, Google Domains immediately unpublishes your domain’s DS records.For custom name servers, to remove your DNSSEC-related resource records from your zone, you can work with your DNS provider.For custom name servers: Next to each record, click Delete.For default name servers: Select Turn off.Values needed for custom name server DNSSEC When you turn on DNSSEC, Google Domains automatically signs your DNS zone and publishes your Delegation Signer (DS) records within 2 hours.If you choose not to wait for your DNSKEY records to be published, under “DNSSEC,“ expand the DNSSEC card and click Publish records now.To add multiple records at the same time, click Create new record. ![]()
Fuego en el batey is one of the three masterpieces from a brief series of paintings in Duco that he painted in Cuba in 1943 (estimate: $1-2 million).ĭuco is a quick drying line of lacquers made especially for the automotive industry which allows an artist to work at great speed and build sucessive layers of color. Its reappearance is of invaluable importance to Cuban Art collectors and scholars and we are thrilled to present this masterpiece - a rare opportunity indeed.īorn in the city of Havana, Mario Carreño (1913-1999) is considered a leading member of the second generation of modernist painters of Cuba. It has achieved an iconic stature over time as a key missing link in the scholarship of one of Cubas most accomplished artists. ![]() Virgilio Garza, Head of Latin American Art states, ∿uego en el Batey by Carreño is a rare masterpiece that blends subject and form magnificently. Never published in color and out of public view for all those years, Mario Carreños Fuego en el batey appears now along with two other unpublished and unknown works by the artist and his contemporary René Portocarrero. ![]() ![]() Widely regarded as a lost masterpiece of Cuban modernism, the painting has been in the Collection of Milton and Nona Ward in Baldwin, New York for over half a century. NEW YORK.- Christies announced a rediscovered painting by Mario Carreño, entitled Fuego en el batey (Fire in the farm) from 1943, will lead the Latin American Sale on May 28. ![]() Lets you re-record tracks through a guitar or bass amp. ![]() In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. ![]() And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. The latest Radial version features separate XLR and 1/4" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom-wound "Made in the USA" transformer and circuit. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Radial Engineering's Reamp® JCR™ is a passive Reamper™ that allows you to take a pre-recorded track and send it back to a guitar or bass amplifier and re-record it. ![]() 2012.0091, 2014.0305, and 2020.0232 to P.M.A.), the Ulla-Carin Lindquist Foundation and the Västerbotten County Council (grant no. 100 to P.M.A.), the Knut and Alice Wallenberg Foundation (grant nos. 772376-EScORIAL to J.H.V.), the Swedish Brain Foundation (grant nos. and J.H.V.), The Canadian Institutes of Health Research (FRN 159279 to J.P.R.), The Dutch Research Council (NWO) (VIDI grant 91719350 to K.P.K.), The European Research Council (ERC) under the European Union's Horizon 2020 research and innovation program (grant agreement no. The research reported in this publication was supported by grants from The Dutch Research Council (NWO) (VENI scheme grant 09150161810018 to W.v.R.) and Prinses Beatrix Spierfond (neuromuscular fellowship grant W.F19-03 to W.v.R.), The Prinses Beatrix Spierfonds (W.OR20-08 to J.J.F.A.v.V. ![]() Last, DNA methylation at several DMPs and blood cell proportion estimates derived from DNA methylation data were associated with survival rate in patients, suggesting that they might represent indicators of underlying disease processes potentially amenable to therapeutic interventions. Integration of these results with our latest genome-wide association study showed that cholesterol biosynthesis was potentially causally related to ALS. We then tested 39 DNA methylation-based proxies of putative ALS risk factors and found that high-density lipoprotein cholesterol, body mass index, white blood cell proportions, and alcohol intake were independently associated with ALS. We identified a total of 45 differentially methylated positions (DMPs) annotated to 42 genes, which are enriched for pathways and traits related to metabolism, cholesterol biosynthesis, and immunity. Here, we present a blood-based epigenome-wide association study meta-analysis in 9706 samples passing stringent quality control (6763 patients, 2943 controls). DNA methylation patterns can serve as proxies of (past) exposures and disease progression, as well as providing a potential mechanism that mediates genetic or environmental risk. ![]() Amyotrophic lateral sclerosis (ALS) is a fatal neurodegenerative disease with an estimated heritability between 40 and 50%. ![]() These customers reflect the strong demand for IT infrastructure as a service to enable greater storage, computing and network capacity. Department of Defense, civilian agencies, and state governments. The agreement adds key leaders, cleared employees, and contracts across the U.S. The carve-out acquisition of the cloud business and its employees cements Peraton’s market-leading position as a mission-capable integrator and transformative enterprise IT provider. Agreement includes staff, solutions and contracts with federal and state agenciesĬHANTILLY, VA - Septem– Peraton, a Veritas Capital portfolio company, has acquired the as-a-service (aaS) business of ViON Corporation, enhancing its offerings in the design, delivery and governance of critical IT infrastructure for its government customers.Additional aaS offerings give government customers more flexibility and resiliency with storage, computing and network capacity.Over the four Venus days of the nominal science mission, VERITAS is estimated to return about 28 terabits (3.5 terabytes) of science data. Nominally, during each day of operations in science phase II, VEM and VISAR will collect data for 16 hours, then the spacecraft will point its high-gain antenna at Earth and lock up with the DSN for an eight-hour session, during which the mission acquires gravity science data. Science phase II starts after further aerobraking places VERITAS into a circular, low-altitude orbit over the poles that allows global observations. Science phase I occurs while aerobraking is paused, about six months after arrival at the planet. The VERITAS science mission consists of two phases. (One day on Venus is about 247 Earth days long.) Science Operations After the second aerobraking phase, the second science phase begins, and lasts 2.7 years, or four Venus days. Aerobraking reduces the spacecraft's orbit period (the time it takes to orbit Venus) from 10 hours to 1.6 hours.ĭuring a pause in aerobraking lasting about four-and-a-half months, the mission conducts its first science phase, with only the VEM instrument collecting data. The two aerobraking phases, together, reduce the spacecraft's orbital altitude at its farthest point from Venus (known as apoapsis) from nearly 20,000 miles to 250 miles (32,000 kilometers to 400 kilometers). VERITAS enters its first aerobraking phase about a month after arrival. ![]() Once aerobraking is completed, VERITAS will be in its final science orbit. Each aerobraking phase lasts about five months. A second burn of the engines, called a period reduction maneuver, will shrink the size of the orbit and reduce the period to just 10 hours.Īfter that, VERITAS begins two phases of aerobraking – dipping repeatedly into the upper atmosphere of Venus and using drag on the solar arrays to reduce the spacecraft's speed and further lower its orbit. The spacecraft's initial orbit at Venus, following orbit insertion, will be highly elliptical, lasting 120 hours. VERITAS performs an orbit insertion maneuver using its six main engines. The spacecraft arrives at Venus after a six-month cruise, and enters a polar orbit (orbiting over the poles, rather than the equator). VERITAS is currently planned to launch in December 2027 on a high-performance vehicle (to be selected later by NASA). Mission Phases Launch, Cruise, and Arrival (NASA's other Venus mission, DAVINCI, will host the Compact Ultraviolet to Visible Imaging Spectrometer. Its precursor, the first Deep Space Atomic Clock, was launched into Earth orbit in 2019. ![]() The ultra-precise clock signal generated with this technology will ultimately help enable autonomous spacecraft maneuvers and enhance radio science observations. VERITAS will host the Deep Space Atomic Clock-2, built by JPL and funded by NASA’s Space Technology Mission Directorate. When NASA selected its two new Venus missions in 2021, it also chose a pair of technology demonstrations to fly along with them. |